The long curly blond-brown hair is gone, so is the green-snake-skin-on-the-shoulder
wardrobe; Lachy Hulme is wearing designer black Ė a suit and open neck shirt - the
hair dark and cropped short in tufts. Lachy has replaced the lair, but the hair is
strictly for The Matrix, his next role after playing Peter Dellasandro in Letís Get
His onscreen portrait of Dellasandro is "as accurate as I could make it, from his
walk to his talk to his wardrobe" says Hulme, who spent six months with the real
"unassuming and relaxed"
Weíre in a Sydney city hotel, talking about the film that tells the story of
Dellasandroís audacious kidnap attempt on Christopher Skase in 1995. Hulme is
unassuming and relaxed, looking forward to a six month shoot on the two Matrix sequels.
Itís a huge leap, from the adrenaline high of a low budget Australian production to
the gargantuan shoot for Hollywood, where some days he has nothing to do.
"Things move at an incredibly slow pace on a big studio shoot when the cameras are
not rolling," he says. But he isnít complaining. "I really wanted itÖ
I really fought for this role, even though itís only a small part (the role of
Sparks). But it doesnít have the same emotional intensity as the Skase film."
"The Skase film" is an action comedy co-written by Hulme with director
Matthew George, retelling the story that Perth entrepreneur Peter Alessandro told them
about how he tried to kidnap Skase from Majorca to bring him back to Australia to face the
"then we embellished it"
The film was already in post production when Skase died in mid 2001. "His death
doesnít affect us with the film," says Hulme. "Itís not about Skase
but about Peter Dellasandro. But having your villain drop off while youíre making the
film probably raises awareness . . ."
Hulme and George had never co-written anything before, so when they started, they sat
in separate rooms, occasionally meeting for a coffee. But they soon discovered that it
didnít work like that. "It only worked if we sat in the same room and hammered
out every line together. At times it was tough Ė weíre both opinionated, and we
were locked in a hot, stinky apartment. But we also had lots of times when weíd be
rolling around on the floor laughing as we tested and discarded ideas."
He says the screenplay took as its starting point "the story Peter told us, but
then we embellished it, adding inventions of our own."
They completed 16 drafts of the script, and Hulme would have been happy to keep going
to 40. He admires his partner: "Matthewís got a gift for narrative, so Iíve
learnt a lot about movie making." He says his only concern was to avoid boring the
audience. "But Matt had enough psychotic actors to help him get the job done!"
"Now itís over to the Skase fan club . . ."
Test screenings returned 80 and 90 percent approval ratings, and Dellasandro himself,
while divorcing himself from the movie, enjoyed it thoroughly. Now itís over to the
Skase fan club . . .
Published October 18, 2001