Urban Cinefile
"Someday I'd be a famous director. Someday I'd be rich. Someday I'd have the body of Arnold Schwarzenegger. . . "  -Mark Illsley, director of Happy, Texas on his 'someday' syndrome
 The World of Film in Australia - on the Internet Updated Monday June 15, 2020 

Printable page PRINTABLE PAGE



Devastated by his beautiful wife’s apparent death in a car bomb explosion, former Defence Intelligence Agent Jeremiah Ecks (Antonio Banderas) drowns his sorrows in a Vancouver bar and resists overtures from his former boss to lure him back into action. Ecks is finally seduced when told that his wife Vinn is still alive and that her son has been kidnapped by Sever (Lucy Liu), a martial arts and weapons expert who is ruthlessly engaged in her own deadly agenda and is gunning for Robert Gant (Gregg Henry), a power crazed sleazebag now married to Vinn and desperate to get his paws on an assassination device that can be implanted into a victim’s body to cause heart attacks.

Review by Keith Lofthouse:
Having read the synopsis you may have given up already and we’re here to tell you that you’ve made a wise choice. This is junk with a capital CRAP, directed by Wych Kayosayananda, a young Thai guy who likes to be known as Kaos…and if you’re curious enough to endure the agony you’ll understand why. Banderas mopes through this hideous and unintelligible enterprise like a bloodhound with a hangover, while Liu elects to look cool in leather in lieu of a performance. Her single expression never changes, allowing the hapless viewer time to count the many freckles on her frozen face and maybe get to 37 before nodding off. We are awakened by explosions and fire, fire, fire, rocket launchers, car bombs and sub-machine guns. The bad killers have exactly the same weapons of mass destruction, but of course they are lousy shots even at point blank range and hundreds die so that the good killers shall live. Kaos shoots much of the action in slow-motion and confuses it with “style,” but we’d have much preferred it if he’d set the motion to fast-forward. The film has no humour, no sense and no feeling and its title is the clumsiest in living memory. It is also the most inaccurate, given that despite appearances, Ecks and Sever are really on the same side. The mandatory car chase is monotonous. It was clearly filmed on separate wet and dry days and is as fake as the travelling scratch on the hero’s cheek. Cliches precipitate like the frequent rain …the little boy clutches a stuffed white bunny, the smarmy one-dimensional villain aims a gun at his enemy and chooses to chin-wag rather than shoot, while the bigamous wife tells hubby number one that “you’re the one I love; I’ll never stop loving you.” 

Special Features reviewed by Louise Keller:
Even though the making of documentary is a standard one, there is marginal interest because of the calibre of the artists involved. Producer Chris Lee explains that Antonio Banderas was the one who suggested Lucy Liu to be cast as Sever. The most interesting insight is about the fight sequences and listening to what both Banderas and Liu say about the process. According to Liu, the training was more intense than that for Charlie’s Angels and Banderas explains that he is always keen to make these kind of scenes as authentic as possible. But let’s face it, even listening to Banderas talk about his experience during the shooting of the film, makes for riveting viewing: this is one charismatic actor.

Published August 14, 2003

Email this article



CAST: Antonio Banderas, Lucy Lui, Gregg Henry

DIRECTOR: Wych Kaosayananda

SCRIPT: Alan McElroy

RUNNING TIME: 91 minutes

PRESENTATION: 16 : 9 widescreen

SPECIAL FEATURES: Documentary, cast and crew, trailer

DVD DISTRIBUTOR: Roadshow Entertainment

DVD RELEASE: August 13, 2003

© Urban Cinefile 1997 - 2020